I work at the intersection of painting, assemblage, performance, and installation, exploring how environments and architectures—both physical and virtual—shape experience and memory. My practice investigates the mediation between internal and external worlds through the traces and gestures of collected materials that carry personal and collective histories. Responding to the dematerialization of experience and isolation in online media, I create work that reasserts the material, tactile, and embodied presence of objects and gestures. Through both intimate marks and constructed forms, I explore presence, absence, and the psychological imprints of time, creating expanded forms that negotiate layers, precarious compositions, and the ongoing transformation of self in relation to space.
